If you’ve been keeping up with my last few posts, you’ll know that I’ve been working on revising a book entitled Grotesque. This book has been with me since 2012. It has come so far since its first draft, but it’s not quite ready to be sent out to editors. Why? Because, as my agent, her interns, and I discussed, the book was hovering in an uncomfortable space between two genres. It had adult themes and characters, but still read like a Young Adult novel. In order to revise it, I had to take a step back and ask why the narrative voice wasn’t working, why it still sounded like it was aimed at teenagers.
Through extensive discussions with my husband, my best friends, and my siblings, I discovered that I was never going to be able to revise the current draft of the book to read more “adult.” Why? Because the content, structure, and plot of the novel were always going to be too YA. No amount of aging up the narrative voice was going to change that. At best I could have ended up with a YA novel that read with an incongruously adult voice.
This is how I decided to address the problem: I gutted the book. Took out the YA content and upped the ante. I’m expanding the world, going into more details with regards to history and characters, raising the stakes. And it’s working, though I’m only a few pages into the new draft. My purpose for writing this post was to offer a quick, easy glimpse at the difference between a YA novel and a plain ol’ adult novel. Here’s a handy Venn diagram:
You’ll note that I use a lot of words like “typically” and “usually.” Why? Anyone who knows me knows I hate blanket statements. Obviously each genre has its own conventions – otherwise it wouldn’t be a genre – but there are exceptions to every rule. The Elegance of the Hedgehog is a book that I would classify as “Adult” but one of the main characters is a twelve-year-old girl. Similarly, Sarah Dessen has written a Young Adult novel about relationship abuse, which might be considered by some as an “adult” theme. As for audience, there’s no set age-limit. Adults read YA all the time. Younger readers can find adult novels that they enjoy, or they might be exposed to adult novels through school. I read Cold Mountain when I was thirteen years old (Summer reading assignment), and believe me that book is not YA. It’s the Odyssey of Vaginas and it made me supremely uncomfortable.
The point I’m trying to make here is that Grotesque had elements of both genres. Oftentimes it comes down to the way a story is approached. You’ll note in the middle section of the diagram that there are several themes mentioned that could belong to either side. The difference is that an adult novel will approach a theme of sexual abuse differently than a Young Adult novel. I don’t know why I always capitalize Young Adult, but not adult. Just go with it.
With that in mind, I began rethinking Grotesque. Grotesque deals with a main character who has only been alive for a few weeks, yet his body is that of an adult… monster. He’s an adult monster. His love interest is an adult with a child of her own. Interestingly, a common theme in YA is the transition from childhood to adulthood. This theme is present in Grotesque, but in a different way. Again, it’s all about how the content is approached. The statue that comes to life starts out with the mind of a child, but he is exposed to the horrors of the world, and that causes him to age rapidly. He is overwhelmed by the complexity of life, the gray areas of morality, etc. These are adult quandaries. And so that is the direction I am taking. I am going all in with this. We’ll see how it turns out.
Can you believe I did a comic? It’s been forever, right? Enjoy!